Selbstbestimmung einer Szene
Es gibt nicht die Geschichte, sondern nur eine Vielzahl von Geschichten, nicht die Theorie, sondern unterschiedlichste, teils widerstreitende Konzeptionen und Herangehensweisen.
Theoretische Texte, Erinnerungen, Statements und künstlerische Beiträge einer [Musik-]Szene, in deren Kontext ein Projekt wie live-tempera entstehen konnte. Zweisprachig.

Self-defining a scene
There is not the history, but a myriad of histories, not the theory, but the widest range of somewhat discordant conceptions and approaches.

Theoretical texts, memories, statements and artworks also by musicians, who took part in or left their mark on live-tempera [Rhodri Davies, Axel Dörner, Phil Durrant, Kai Fagaschinski, Annette Krebs, Michael Renkel]. Bilingual.

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This compilation of Echtzeitmusik Berlin has been assembled and designed to become a companion to the book of the same title published in 2011 by Wolke Verlag, which reflects on a multilayered phenomenon within Berlin’s musical culture, a phenomenon whose influence and meaning has effects that extend far beyond Berlin itself. Having emerged in the open spaces of the city’s east side after the fall of the Berlin Wall, and rooted in a cultural coordinate system made up of squats and free improvisation, punk and New Music, social experimentation and performance art, the Echtzeitmusik scene has passed through an eventful history of musical and social development and matured into a wide spectrum of predominantly experimental forms of music, bordering on fields as varied as noise, electronica, trash pop, free jazz, and contemporary composed music, not to mention performance and sound art. Not every Echtzeitmusik protagonist has the chance to appear on this compilation which can only represent a temporary excerpt. The organism - a network of individuals in a constant state of flux, in permanent interaction - is living. Echtzeitmusik changes. And also through this compilation.
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